REVIEWED: Equinox Asteroid
I recently tested the Equinox Asteroid (EQLED207) at a few events, and it's proven to be quite the revelation. DJs looking for a versatile centrepiece effect, you'll want to pay attention to this one.
First impressions and build quality
Opening the box, you're greeted with a surprisingly compact unit for what it can do. At 400 x 322 x 303mm, it's manageable for mobile setups while still having presence. The 6.5kg weight hits that sweet spot; substantial enough to feel robust but not back-breaking when you're loading in and out.
The build quality immediately impresses. The fan cooling system is well-implemented – even after six hours of continuous use at a corporate event, it stayed whisper-quiet and maintained consistent output. This is crucial for those long wedding receptions, where the last thing you want is fan noise competing with your music.
Technical powerhouse
The heart of this effect is its array of 5 x 40W quad-colour RGBW LEDs. These aren't your basic LEDs; each one pumps out pin-sharp 2° beams to create 98 distinct points of light. For the technically minded, it draws 159W total power, running on 100~240V at 50/60Hz, protected by a T3.15A 250V fuse. This efficiency means you can power-link up to eight units at 240V (four at 120V) – perfect for larger setups.
Beam characteristics and output
The 2° beam angle produces remarkably defined shafts of light. With haze, you get those classic sharp aerial beams, but even without haze, the 98 points of light create impressive effects on walls and ceilings. The quad-colour LEDs mean you're not stuck with stepped colour changes - the mixing is smooth and you can create subtle hues.
Control options and programming
Where the Asteroid really shines is its five distinct control approaches:
1. DMX control: With a choice of 4-, 7-, 15-, 23- or 31-channel modes, you get incredibly granular control. I tried the 31-channel mode at a corporate event, programming custom colour combinations across all five sections. The precision was remarkable, so you can create chase effects that look like they’re using way more than just five LED sources.
2. Sound active mode: This was my go-to for most parties. The internal mic is surprisingly responsive, and the chase patterns are well-programmed. Unlike some effects that just randomly strobe to sound, this creates coherent, flowing patterns.
3. Primary/secondary capability: While I only tested a single unit, it's good to know it has the ability to link multiple units together. It’s a feature that could be useful for future expansion.
4. Built-in programs: The pre-programmed shows are genuinely usable. I tested all 14 built-in shows and can confirm they’re well thought out for different music styles and moods.
5. CA 8 controller: Though sold separately, it’s worth considering this controller for quick access to blackout and show selection.
When using DMX mode, each channel option serves a purpose:
4-channel: Perfect for basic operation, great for quick setup
7-channel: Adds individual RGBW control
15-channel: Enables 3-zone control
23-channel: Provides 5-zone control
31-channel: Offers full individual control of each section with additional effects
The 31-channel mode is particularly impressive for programming complex sequences. At a corporate event, I created a pattern where colours chased around the sphere while maintaining specific highlighted sections – something impossible with simpler effects.
Connectivity and integration
The input/output options are comprehensive. The PowerTwist TR1 connectors allow for secure power connection, and you get box 3-pin and 5-pin DMX options. The position of these connections is my only gripe; they could be better arranged.
Professional details
The OLED display is clear and intuitive, even in dark conditions. The four-button menu system is straightforward, though initially you'll want to keep the manual to hand for the more advanced functions. The included omega clamp is solid, and the safety cable attachment point is well-positioned.
Real-world performance
I ended up using the Equinox Asteroid effect in a few different scenarios:
1. Low-ceiling corporate party: Positioned at about 2.5m, those 2° beams created distinct patterns without overwhelming the space. The variable strobe feature came in handy for creating energy without being aggressive.
2. High-ceiling wedding venue: Even at 6m height, the beams remained defined. The 0-100% dimming range meant I could start subtly during dinner and gradually increase intensity for the party.
3. Marquee wedding: Here's where the PowerTwist TR1 input/output proved invaluable for clean power distribution. The multiple DMX connection options (both 3-pin and 5-pin XLR) made it easy to integrate with the venue's existing lighting.
4. Christmas party with mirror balls: The interaction between the Asteroid's beams and mirror balls created incredible effects. The 5-section control meant I could have different colours hitting different areas of the mirror ball.
5.Small birthday celebration: Even in a modest space, the individual section control allowed me to scale the effect appropriately.
Value proposition
Considering the build quality, versatility and features, the Equinox Asteroid is competitive in its price range. The power consumption is modest for the output, and the ability to power-link multiple units adds value for growing systems.
Bottom line
The Equinox Asteroid is a serious contender in the centrepiece effect category. While there are cheaper options available, few match its combination of build quality, feature set and reliability. Yes, the connection placement could be better, but that's a minor issue in an otherwise excellent package.
Whether you're a mobile DJ looking for a reliable centrepiece or a venue installing a permanent effect, the Asteroid delivers professional results. I’m not just thinking about adding one to my setup, rather I'm planning to get two for that perfect symmetrical coverage at larger events.
The full review can be found in Pro Mobile Issue 129, Pages 84-85.